Analysis Of Rogier Van Der Weydens Virgin And Child

In the painting, ‘Virgin and Child’, by Rogier van der Weyden, it can be observed that the artist chose to use the medium of oil on wood. Despite the fact that Rogier van der Weyden created this painting in the Netherlands and was born in Tournai, Belgium, their primary influence appeared to stem from the Italian Renaissance, which had begun to use the technique of oil paintings with increasing frequency by turn of the 15th century. The subject of the painting itself, Madonna and her virgin child, were a common theme in the Renaissance, where religious subjects and topics were the primary choice for any prominent artist during this historical artistic period. In the painting itself, the soft, content expression of Madonna, the Virgin†¦show more content†¦It also worth noting that the fingers of the Virgin Mary were longer in length than that of the average woman as well. This bolsters evidence to the theory that the elongated arm of the child in the photo was created in a purposeful manner. As noted in the previous paragraph, the elongated arm not only conveys a sense of maturity, strength, and age that is unbecoming of a child this age, it also yields a sense of piousness. During this period, artists commonly employed the technique of elongating the limbs and physical features of certain subjects to emphasize their overall importance. As noted by anyone familiar with the tradition of Christianity, these two figures are of great importance within the religion. Thus, the use of elongate elongated limbs and fingers is logical in this context. The painting, ‘Virgin and Child with Donor’, by Antoniazzo Romano, despite painting a similar scene, possesses several differences. The most notable difference is the fact that the work of art was crafted on an entirely different medium, which was the ‘Tempera and gold leaf on wood’, according to the museum’s description. The painting is similar to Rogier van der Weyden’s work in its depiction of the Virgin Mary with very soft, blended features. The facial expression of the Virgin Mary is also very like that of Rogier van der Weyden’s painting as well, conveying a sense of peace and